O pau quebrou em Zenit e Spartak pela Copa da Rússia
O pau quebrou em Zenit e Spartak pela Copa da Rússia
Really, if the trees of kindness, love and forgiveness start growing in the earth, then the name and trace of those who worship violence and violence will be erased from the earth forever and this earth will become a heaven. Here only and only God should be praised, sung and glorified. Today, if every person on earth wears the clothes of truth, love and kindness, the teachings of God, then this earth is indeed one of the heavenly places. Whose time is very near.
bloody conflicts in the playground; In the football field, kicks entered the place of play, many players were injured in the conflict
Brazil World Cup stars’s ankle injury | ब्राजील वर्ल्ड कप स्टार्स के टखने में चोट
Bloody fight in the football field, the referee also jumped, many players were injured in the fight
Kick punches instead of playing in football field, many players injured in mutual conflict O pau quebrou
Picture yet to come
players at loggerheads with each other; Many players injured in mutual conflict, playground became battlefield
Football bloody game
Bloody game of FIFA World Cup football – Players forced to play bloody Holi in the football field
Indian artist gets credit and royalties for his music in foreign songs | भारतीय कलाकार को विदेशी गाने में अपने म्यूजिक के लिए क्रेडिट और रॉयल्टी मिली है
Indian artist gets credit and royalties for his music in foreign songs. Indian artist gets credit and royalties for his music in foreign songs. The composer is very excited that a snippet of his song ‘Sanam Re’ has been used by American rapper CJ. K’s track Whoopty, and he was also credited for.
The title track of famous composer-writer Mithun’s ‘Sanam Re’ (2016) inspired many people in India as well as across the world to recreate the song and use small portions of it. American rapper CJ The Whoopty 2020 version, composed by , is also one of them, in which a significant part of his composition was included. Recently,
The American Society of Composers, Authors and Publishers (ASCAP) honored the song with the ‘Song of the Year’ award. He also respected Mithun’s work and gave credit to it. This is probably the biggest news for the Indian music industry after a long time. Mithun says, “I am extremely happy, as this is a huge achievement for all the Indian musicians whom I have represented today.”
Mithun says, “This is the first time in the history of Indian music, when an Indian artist has got credit and royalty for using a small portion of his music/tune in a foreign song. This is done by Javed Akhtar Sahab and his team. This has been made possible only because of the tireless efforts made by the authors, which led to the Copyright Act (Amendment) Bill in 2012, which states that the right to royalty cannot be transferred.
As an artist and Indian musician I feel very satisfied, and very excited about this not only personally but for our industry as a whole. It’s time for Indian musicians to contribute to the world through their tunes and compositions as artists They should be respected for that.
There have been many instances of some of the world’s celebrities using Indian artists’ compositions without giving them credit for it, including legends like Britney Spears, Black Eyed Peas, Nelly Furtado, Kanye West to name a few. Mithun says, “To be honest, I am happy that the whole system is very robust now, and if you use someone’s music, or use any part of it, the system can track it on fingerprints. Taxes and then you are given credit as well as royalty.” O pau quebrou
In India, The Indian Performing Right Society Limited (IPRS), registered under the Copyright Act 1957, is a government authorized body and represents over 9000 well-known authors, composers and music publishers across the country. IPRS continues to work to protect the rights of songwriters, composers and music publishers and to raise awareness about the issues that shape their careers, while helping them get the most out of their creations.
A. R. Rahman says, “It is great to see when an artist credits another artist after using his work, as has happened in this case. Through art, the whole world transcends its geographical and linguistic boundaries. breaking is coming closer, and the sense of togetherness among our fraternity at such times is a wonderful achievement. Also, organizations like ASCAP, which support the rights of all, have made the whole process more transparent and transparent for all those involved in this sector. It is indeed a step in the right direction. I hope many more success stories of Indian artistes come to the fore in the future.”
Speaking on the occasion, Mr. Javed Akhtar says, “The composers are getting their royalty which is their due. I am very proud of Mithun and the impact his music has had. He has given credit for it. He is getting his due royalty. There was a time when composers used western music in their songs and music, and its impact is visible on Indian film music. O pau quebrou
But today we have become exporters from importers. and we are sending our music out there. Many big stars all over the world are using hundreds of our songs, compositions, vocals and intros. Now the best part is that people are getting their due royalties, And this has been possible only because of the law that came into force in 2012. I see a very bright future for musicians and creative people.”
Taking the discussion further, Mr. Rakesh Nigam, CEO, IPRS said, “I am extremely happy with this achievement of Mithun and I am glad that now not only Indian music is being recognized and recognized internationally Rather, the Indian creator is also getting the credit and royalty for his creation.
As a music copyright organization, we strive to create a sustainable music ecosystem that promotes honesty and fair payment in music, encourages creativity and encourages young songwriters, composers and independent artists. Music is an important part of our life; So it would be appropriate that we give importance to music, as well as show our love towards the people who work hard behind the songs and tunes by giving them their due rights and credits. O pau quebrou
What creators should know about royalties. There is no single activity through which effective collection of royalties can be determined. A creator signs an agreement with a publishing administrator, who knows the system and processes, as well as ensures that no profit opportunities are missed in the process. Royalty-collecting organizations use metadata (lyric information) to identify songs and music so that they can pay creators when they are used.